Taylor famously uses vivid colors to depict her eras and albums—and Speak Now is purple, period.
So of course, to announce the release date for Speak Now (Taylor's Version), Taylor unveiled an enchanting new look for her set, donning a purple bespoke gown by Nicole + Felicia.
For her Fearless set, Taylor sparkled in a sequin ombre gold-and-silver fringe gown designed by Roberto Cavalli.
The fringe gave her plenty of room to twirl around to her hits like "Love Story," "You Belong With Me," and "Fifteen."
Taylor slayed her movie premiere's red carpet just like she slayed on stage—bejeweled and bedazzling in a blue strapless, embroidered floral cutout by Oscar de la Renta.
Taylor opens The Eras Tour with the Lover era—making her grand entrance to fan favorite, "Cruel Summer"—in a custom-made Atelier Versace bodysuit.
The outfit, glittering with pink and blue jewels, pays homage to the enchanting pink and blue skies that grace the cover of the "Lover" album. And, of course, we can't forget the silver knee-high Christian Louboutin boots!
It's the one tour outfit that famously never changes—she's been rocking the same Roberto Cavalli catsuit while performing the Reputation era since the Reputation tour in 2018.
Fans theorize she'll debut a new Rep suit when (if ever, at this point) she announces Reputation (Taylor's Version).
For her Folklore set, Taylor wore an off-white Alberta Ferretti dress covered in crystal embroidery—and those flowing sleeves are like something out of a fairy tale.
1989 was Taylor's introduction to pop—and is still hailed as one of the best pop albums of all time—and her tour outfits from the era were iconic.
So she enlisted Roberto Cavalli to recreate her iconic 1989 World Tour outfit, complete with matching Christian Louboutin boots!
Taylor also brought back her most famous outfit from the Red era—although this one pays homage to her iconic song, "We Are Never Getting Back Together."
She also rocked the "A lot going on at the moment" tee that's become synonymous with her cryptic "Easter eggs."
Taylor opens up her Midnights set with the Lavender Haze outfit—and my Halloween costume for the rest of time—an Oscar de la Renta crystal t-shirt paired with a purple Oscar de la Renta faux fur coat.
This is likely the comfiest outfit of her whole Tour!
Taylor struts to several of her bops from Midnights in her now-iconic, bedazzled midnight-blue bodysuit, including "Bejeweled."
The visual graphics are stunning throughout every era, but she really amps it up during the Midnights set, as it's the finale of the 3-and-a-half-hour-long evening.
During her Folklore set, Taylor's all about outfits that flow with her. The Alberta Ferretti dress, with its bright green hue, delicate mesh detailing, and leaf embroidery, is one of our personal favorites.
And it wasn't just the dress that made an impression; Taylor's entire Folklore set is a masterpiece, weaving together storytelling, striking visuals, and epic performances that keep leave everyone in awe.
Throughout the two-year-long Eras Tour, Taylor likes to play with all the colors of the rainbow. During her 1989 set, she switches it up each night with a different-colored, sequin two-piece Roberto Cavalli set.
Some nights she's pink, some nights she's green, others, orange, and on this night during a performance of "Bad Blood"—1989 blue.
Taylor donned all blue for the announcement of 1989 (Taylor's Version) at the last night of her Los Angeles Eras Tour show.
The night is sparkling, and so is she, in this Nicole + Felicia gown. This has become known as the "Enchanted" dress, as it pays homage to the gold Valentino ballgown from her Speak Now Tour.
For her iconic Fearless set, Taylor paid homage to the original fringe dress she wore on the Fearless tour, also designed by Roberto Cavalli.
She paired the throwback look with silver knee-high Christian Louboutin boots and a bejeweled guitar.
For the highlight of her Red era, Taylor graced the stage in a dramatic, red Ashish coat over her matching romper—and her guitar was red to match too.
Her soul-stirring 10-minute rendition of "All Too Well" is a religious experience Swifties paid good money to see—drawing us all too well into the depths of her heartfelt lyrics.
Another take on the Enchanted dress; Taylor switched it up for her Speak Now set during her Tampa tour, wearing a stunning Elie Saab Haute Couture silk tulle ballgown embroidered with organza petals.
Another look at Taylor's blue-and-gold bedazzled Atelier Versace bodysuit.
Throughout the tour, Taylor dons different versions of the suit to open the show with her Lover era.
Taylor donned another Alberta Ferretti dress—this time in blue—for the 1989 (Taylor's Version) announcement.
During her Lover set, Taylor rocks a glittery Versace blazer over her bodysuit, along with a pair of knee-high Christian Louboutin boots.
Some nights the blazer is silver, some nights it's pink, and some nights it's black. You just never know what The Man is going to do next!
During her acoustic set (where she performs two surprise songs), Taylor covers her sequined Roberto Cavalli 1989 outfit and Christian Louboutin boots with this stunning yellow dress.
Another look at Taylor's iconic Roberto Cavalli two-piece, sequined set for her 1989 Era, complete with a 1989-blue microphone.
Taylor is notorious for switching up everything from her music genre to her sparkly outfits.
Throughout The Eras Tour, she's shown off different variations of the Lover bodysuit—like this gold-and-blue version she wore to promote 1989 (Taylor's Version).
Taylor looked truly enchanted when she debuted this stunning Zuhair Murad ballgown for her Speak Now Era on night two of her tour.
Ah, the famous, bedazzled Midnight bodysuit she left in with Travis Kelce on her Buenos Aires tour stop.
After she performs "Lavender Haze" in her Oscar de la Renta bedazzled t-shirt, she does a quick costume change into her Oscar de la Renta bodysuit during "Midnight Rain" to perform the now-viral "Vigilante" dance.
Staying on theme with the night's 1989 (Taylor's Version) announcement, Taylor switched up her usual purple Enchanted gown for a blue Nicole + Felicia one.
And of course, she had a matching blue guitar to complete the ensemble.
Taylor's Evermore set is a true treat for Swifties. Taylor dons her yellow Etro dress during the whimsical era, and even adds a matching Etro cape for the performance of "Willow."
She also takes to the piano for a few numbers—and her microphone changes from bedazzled to seemingly wooden.
Another look at the stunning Alberta Ferretti dress from Taylor's Folklore set.
Taylor is famous for her relationship with her fans. And in true Taylor fashion, she stopped to take selfies with fans when hitting the red carpet for her movie premiere.
Another look at the powdery blue Alberta Ferretti gown Taylor donned on the night of her 1989 (Taylor's Version) release announcement.
Fans have come to associate the flowy dresses with the whimsy of the Folklore and Evermore eras, but the singer switched up the color to mark the special occasion.
This is one outfit we missed at her Eras Tour. The singer wore the dramatic gown to perform "Don't Blame Me" and "King of My Heart" on her 2018 Reputation Tour.
(Neither of those songs made the cut on the Eras Tour).
This is another look we missed during the Eras Tour. The singer wore the sequin dress and black blazer to perform her iconic hit "Getaway Car" at the 2018 Reputation Tour.
The song didn't make the cut for the Eras Tour, and Netflix removed the Reputation tour from its platform. But our memories of this performance will live on!
While the theme of the Eras Tour was bright and sparkly, understandably, we really missed some of the grit of the Reputation tour.
The only costume that made it to Eras was the famous Reputation bodysuit, which we love—but we're also still in awe of the mostly black wardrobe from the Rep tour.
We also can't believe Taylor didn't pay homage to any of the rainbow fringe dresses she rocked on stage during the Reputation tour.
The colors would've fit in perfectly with the Eras Tour theme, but with all the costume changes we can't complain. Mother keeps us fed!
